Film
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Review — ‘Weapons’: Grownups, Are You Listening?
Building off the success of his wonderfully deranged ‘Barbarian’ (2022), Cregger returns with a flawed but fun-filled horror-mystery aimed at the lethal spell of smartphones Continue reading
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Review — ‘Perfect Days’: A Celebration of Object and Space
Wim Wenders’ love letter to living presently is a moving celebration of the things and places that truly bind us — but is let down by a simplistic ending Continue reading
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Review — ‘Nosferatu’: Horny gothic romp is a visual powerhouse, saddled with a chaotic and laborious middle act
Lily-Rose Depp carries this gorgeous retelling W. F. Murnau’s silent original, but alone cannot compensate for its confused, unimaginative core Continue reading
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Review — ‘Civil War’: Alex Garland Sends in The Clowns
Though far from perfect, Garland’s visceral epic brings the banality of war home to a divided America Continue reading
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‘The Bikeriders’: Review
Luscious lips and taught leather can’t redeem this uneven, safe-playing biker biopic Continue reading
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‘Anatomy of a Fall’: Review
A twisty take on family breakdown brimming with ineffable rage Continue reading
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‘Leave the World Behind’: Review
Ross and Rachel can’t save us in an unrecognisable world Continue reading
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Fassbender is The Killer going about things the wrong way
David Fincher’s thriller tests the limits of an inflated ego — and a killer subconscious Continue reading
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‘The Banshees of Inisherin’: A compelling portrayal of male loneliness and suffering
Colin Farrell and Brendan Gleeson return in this frank, fable-like exploration of a broken friendship between two men on a starkly beautiful west coast Isle Continue reading
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‘Don’t Worry Darling’: Review
It’s style over substance in this woefully unoriginal psycho-thriller even a top-rate cast can’t save Continue reading
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