Posts
-
Lukas Dhont’s 2022 Grand Prix winner grows ever more relevant with each year — and is, despite its tough subject matter, utterly life-affirming
-
Though Jacob Elordi is magnificent as Shelley’s foe, Del Toro’s avoidance of grappling with modern technological ills is felt
-
Bigelow’s Netflix white-knuckle thriller mines our worst fears in an immersive epic which succumbs to melodrama
-
Veering from the psycho-gothic claustrophobia that made his name, Aronofsky shakes things up with a confused, balls-to-the-wall caper
-
Trying to be something more than it is, familiar-feeling “conclusion” to The Conjuring saga dials up the emotions but leaves a lot to be desired
-
Building off the success of his wonderfully deranged ‘Barbarian’ (2022), Cregger returns with a flawed but fun-filled horror-mystery aimed at the lethal spell of smartphones
-
In this terrestrial memoir, Masud excavates the land beneath us to reveal the spatial politics within. In doing so, she exposes the neocolonial endeavours of world leaders today
-
Mellors’ second novel zips between the chaotic lives of three sisters come together to mourn in this symphonic dynamo of a book
-
Wim Wenders’ love letter to living presently is a moving celebration of the things and places that truly bind us — but is let down by a simplistic ending
-
Rooney’s fourth novel is an insightful but strained, incessant exploration of millennial and gen Z relationships
Home 